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PAINTINGS

Echo chamber

Turbulent blue waves crash into the raw intensity of the human psyche. Each face, distorted and hyper-expressive, emerges from a sea of thought - screaming, watching, reflecting. Thes figures do not speak aloud. Instead, they reverberate within. Caught in the loop of their own emotional feedback, they become both the voice and the echo.

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The fluid background evokes an oceanic mindscape - unpredictable, beautiful and disorienting. In contrast, the stark, black-and-white figures confront us with unfiltered emotion, asking what happens when we only hear ourselves in the deep. The result is a conversation between chaos and consciousness, where silence can be just as loud as sound.

Acryl on canvas​
60cm x 90cm
2019

Through the Eyes of Time

She stares out with a grin that trembles between madness and memory. Her eyes, wide and frantic, are windows to a world unraveling — a world not outside, but within. The monochrome face is carved with time, worn like stone, yet behind her glasses swirls a different reality: molten, violent, alive.

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The colors in the lenses aren’t reflections — they’re eruptions. Bursts of thought, emotion, memory, fear. The quiet disorder of a mind that has seen too much, perhaps felt too deeply. The world is blurred — not by poor vision, but by distance. Time has pulled everything she knew further away. There’s something terrifying in the contrast: the stillness of age, and the storm it contains.

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We look into her face and meet the chaos we try to hide. The chaos we polish, filter, and bury. But she wears it openly. And in her fractured smile, we see ourselves — distorted, until we’re not sure who’s behind the glass anymore. This painting isn’t just a portrait. It’s a whisper from the edge of time, a quiet reminder that even as the world moves on, some eyes still hold everything it’s left behind. A visualisation of what remains when the noise fades and only essence is left.​

Acryl on canvas
24,5cm x 29,5cm
2019

Veil of Identity

The title reflects the sense of concealment and intrigue, as well as the contrast between what is revealed and what remains hidden.

In a world that often demands clarity, this painting resists.


"Veil of Identity" is a meditation on the fragmented self—how we are shaped by what we inherit, what we choose to reveal, and what we are forced to conceal.

At the center of the canvas, a woman gazes out with a steady, piercing intensity. Her eyes are windows into a world of strength, sorrow, and silence—a story told without words. The intricate jewelry adorning her forehead glimmers with cultural weight, tradition, and beauty, yet also serves as a crown of expectation. Each gem reflects a piece of a life shaped by heritage, gender, and gaze.

Surrounding her is a world ablaze with color—fiery reds, deep blues, golden hues—suggesting both vibrancy and chaos. These colors do not merely decorate; they speak. They speak of places, of rituals, of voices raised and silenced. They speak of identity as something lived, not just worn.

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And then—there is the hand. Stark white. Unfinished.
Its absence is its own presence. 
This hand, rendered blank, interrupts the vivid reality around it. It symbolizes the parts of us left unwritten, unexplored, or suppressed—by society, by history, or even by ourselves. It is a veil, yes, but not one imposed. It is chosen. It marks the threshold between the known and the intimate unknown.

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Is it a gesture of modesty? A refusal? A moment of transformation?
In this ambiguity lies the core of the work: identity is not fixed. It is fluid, layered, in motion. It is something we are always becoming.

"Veil of Identity" challenges the viewer to reflect not just on the subject, but on themselves.
What do you reveal to the world?
What remains unfinished in you?

Acryl on canvas
39,5cm x 49,5cm
2018

Reflected Light

"Reflected Light" captures more than a festive object;
it invites us to consider how beauty lingers,
not only in what we see,
but in how it is mirrored back to us—
fragile, fleeting, and full of meaning.

Acryl on canvas

20cm x 20cm
2017

The Sunwalker

The Sunwalker is a visual exploration of presence, strength, and the quiet power found in nature. At its center stands the lion—majestic, composed, and aware. He is not caught in motion or mid-roar, but in a moment of stillness. This intentional pause invites viewers to look beyond the surface and consider the energy the lion carries: one of watchfulness, wisdom, and control.

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The title, The Sunwalker, speaks to the lion’s role as more than a creature of the wild. He becomes a symbolic figure—one that walks with the sun, living in rhythm with light, shadow, and the natural world. He represents a bridge between the material and the spiritual; between raw instinct and timeless purpose. The sun does not rush, and neither does he. His gaze is steady, rooted in something ancient and enduring.

Visually, the painting draws from warm, fiery tones—echoing sunlight at golden hour, when day meets night and the world seems suspended in time. These colors are not just decorative; they reflect the lion’s inner world, his quiet dominance, and the landscape he inhabits. The mane glows with life, as if absorbing the heat of the earth and sky, making him feel both grounded and radiant.

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The lion is not portrayed as a predator, but as a guardian—an emblem of balance and natural order. There’s no struggle depicted, only harmony between being and environment. This harmony reflects a deeper idea: that true strength doesn’t always announce itself loudly. Sometimes, it simply is—undeniable, immovable, and calm.

In The Sunwalker, the goal is not just to capture a lion, but to express a presence—something felt more than seen. It’s about standing before a figure that embodies the spirit of the wild: fearless, eternal, and quietly powerful.

Acryl on canvas
30cm x 39cm
2017

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